Skip to main content

Most Playlists Spell Something #1: GRATEFUL FOR THE DEAD

A slice of wisdom: music makes things better. 

I'm testing an experiment that doubles as a playlist-making vehicle, one of my absolute favorite things to do. I love playlists of all types: sprawling and tightly-curated; an assortment of special songs selected for others and personal mixes; those with specific purpose to plunge into a band/artist and appreciate deeper layers of contextualization, others tasked with channeling a particular mood/energy force to guide the appropriate occasion. 

Blending musical tastes and flavors into a melting pot for auditory consumption is equal parts joyful and heroic, a true reward for the aural explorers among us. Step one -- song spelunking, the task of assembling playlist contenders, followed by trimming the list with songs that don't click and slotting tracks to achieve maximal flow. 

In line with this week's spirit of gratitude for what we love in the world, I thought it appropriate to honor the first band that *imprinted* on me and changed how I hear music. 

Without further ado, an 18-track (20 songs total), 200-minute soundtrack for Thanksgiving week: GRATEFUL FOR THE DEAD 

Set I 
Greatest Story Ever Told, May 12, 1974 - Keith's playful side prominent in this mix 
 
Row Jimmy, April 12, 1978 -  last few minutes sparkle with an upbeat swagger 

Althea, May 15, 1980 - Jerry and Bob's conversation during the last jam needs to be re-spun every three months, minimum

They Love Each Other, November 21, 1973 - "fast" TLEO's are like jack-in-the-boxes, the guitars' bouncy, harmonic staccato jumping out at different points in the song, the underlying groove one of the most delightful in their arsenal 

El Paso, July 8, 1978 - among the best of the outlaw options, Jerry's in a sprightly mood here, strutting around Bob's vocals with accents of his own

Fire On The Mountain, Egypt 1978 - the hypnotic allure of this groove floats effervescently in the shadow of the Sphinx 

Uncle John’s Band, April 27, 1971 - compact, yet powerhouse performance, furious closing outro before nailing the a capella finale

Lazy Lightnin -> Supplication, September 3, 1976 - my Dead sweetspot is the dreamy floating jazz space explored in songs like Supplication, Slipknot, and Scarlet Begonias - took some creativity to sneak two of those "S" songs onto this playlist

Franklin’s Tower, November 9, 1979 - really wish the first thirty seconds extended for a few minutes before completing the segue from Dancing in the Streets, Brent's infectious groove infuses the rest of this smoldering version with thick boogie

Set II 
Other One, June 16, 1974 - full throttle Phil kicks off this menacing, mind-bending, out-THERRRRRRE extraterrestrial experience

Rhythm Devils, April 6, 1982 - vibrational healing, all day every day 

The Eleven, August 24, 1968 - primal Dead to the core, the odd-metered mad romp pulsates the senses, electrifying start to finish  

Help On The Way -> Slipknot!, August 13, 1975 - exquisite pairing from inception

Estimated Prophet, December 26, 1979 - inject 3:50-6:10 into my veins, "we climbed the mountain" victory vibes

Dark Star, October 31, 1971 - abrupt directional shift midway thru minute 14 blossoms into a bewilderingly beautiful composition-on-the-fly, a magical five minutes of getting lost

Eyes of the World, August 4, 1974 - Phil is everywhere and its glorious

Alabama Getaway, December 26, 1979 - "oh shit we set the barn on fire" smoker of a set closer

Encore
Deal, September 16, 1990 - come for the curiosity of dueling keys with the assurance that the Dead always deliver inside the grandeur of MSG, stay for the jam's atypical path for Deal to rage

When considering the 18 track choices across the different eras, it's a surprising quirk that heavyweight years 1972 and 1977 are absent, though illustrates how the Dead's fastball was devastatingly potent every year. The trio of 1974 selections are all sonic treats of the highest caliber thanks to the Wall of Sound's pristine clarity (as described in immensely glorious detail by Brian Anderson's new book - a holiday gift no brainer for any music aficionado).

Here's the spread: 
1968: 1 
1971: 2 
1973: 1 
1974: 3 
1975: 1 
1976: 1 
1978: 3 
1979: 3 
1980: 1 
1982: 1 
1990: 1 

By keyboardist: 
Pig Pen and Tom: 1 
Pig Pen: 1 
Keith: 10 
Brent: 5 
Bruce and Vince: 1 

Hope you enjoy the selections -- click here to go to the Nugs link -- and stay tuned for Most Playlists Spell Something #2...

Rock On \mm/ 

PS - other playlists I've made, including my most-cherished annual volume of Soul Hugs, can be found on Spotify under "DJ Jammy Jimmy"

Comments

  1. DJ Heavy D of James CourtNovember 26, 2025 at 6:50 PM

    You’re the greatest Jimmy

    ReplyDelete

Post a Comment

Popular posts from this blog

The Adolescence of August, Chapter 5: The Fresh Prince

June 23, 2000 State Theater South Bend, IN The seemingly casual calendar flip from May to June caused seismic activity for Umphrey's McGee in the summer of 2000. Seven weeks passed in between South Bend shows. Over that period, the band ventured across five states, playing ten shows in seven cities. They also celebrated the last band member to graduate college mid-May, the last tether torn before UM headquarters sojourned west to the Lake Coast, expanding their palette on bigger hometown stages. Wrigleyville::South Bend Bel Air::Philly This particular June night was UM's first, unofficial return-to-their-roots spectacle. Gracing the State Theater stage for the 4th time ever and 3rd of ten visits that year to the downtown's next-biggest room ( respect the Morris ). An all-ages belated Cinco de Mayo street fest outside ole faithful Madison Oyster Bar was the previous SB gig, featuring Joel's pride-and-joy piano students as set break entertainment for the fami...

The Adolescence of August, Chapter 3: Cameron Frye

April 22, 2000 Cubby Bear Chicago, Illinois Pardon my inner-Conan bleeding through when I say that Umphreys dominated Chicago like no other in the year 2000. Beginning in January all the way through New Year's Eve, UM canvassed Chitown playing seven different local stages, several multiple times, including the band's first appearances at the iconic Double Door, Park West & Vic Theatre, plus two summer street festivals. The band's twenty total shows within the Second City's limits mark the most in any one year for their chosen "home city." 2000 marked a tidal shift as the band re-anchored its Midwest mooring while nurturing in-roads to the metropoli on the eastern shores. For the first time, South Bend lost the belt for most Umphreys soireès in a given year. Mere weeks before Umph headquarters relocated 70 miles west on the Toll Road (a necessary step for the ambitious quintet-at-the-moment), the most famous ivy walls beckoned. The Cubbies weren...

The Adolescence of August, Chapter 4: Lisa Turtle

May 12, 2000 Bell's Brewery Kalamazoo, Michigan To break onto the scene in one of Michigan’s biggest cities, Umphrey’s was quite literally saved by the Bell’s. 2000 marked a shift in the band's Mitten market strategy with van trips to two new cities that year, Kalamazoo (8 shows) and Ann Arbor (1 show). A day-trippable 70 miles away from the band's South Bend hub with ~35,000 college students in close proximity, K-Zoo was a desirable new tour stop, especially since the town featured  one of the most successful family-run craft breweries in the nation . Umphrey's played its first Kalamazoo gig at Bell's Brewery in February 2000. That first year, the band split its venue allegiance evenly between Bell's and the eclectic Club Soda . An immediate synergy between band and crowd congealed to help Kalamazoo become one of the most frequented cities during the band's early years. Twenty years later, UM has played 33 total shows in Kalamazoo (the band's 11...